Saturday Spotify 11, August 13, 2011August 13th, 2011 by Reinder
Trying something different: I got Spotify back in April and it's really helped open up my listening habits. I've since become a paying subscriber, because even though I only have it on my computer at home, it's helped me find new (to me) music and touch base with old favorites, while keeping cost down compared to buying records.
Spotify has playlist sharing as a feature, and I've enjoyed some blogs that use sharing to spread, such as Spotify Classical. I think even more than YouTube, this feature will change how people write about music, with 'music criticism as consumer advice' becoming completely obsolete, and 'music commentary as swapping notes' replacing it. So heres an attempt, and if it's not too much work I'll do it every week or so. Here are some songs that caught my attention in the past few weeks.
This is the playlist and because I don't expect everyone to have Spotify, I'll try to find alternate links for the songs as much as possible.
1. Nicole Atkins: Brooklyn's On Fire off Neptune City, 2007.
The opening bars of this, after the instrumental intro, just fill me with joy every time I hear them. While I'm still gushing over those chanted phrases, the song develops into a lush 6/8 melody with even lusher strings. And what a voice. The one thing I am not sold on is the lead guitar, but I can ignore it easily.
2. Kate Bush: The Song of Solomon off Director's Cut, 2011
The second song on Director's Cut, and the second song I ever heard on Spotify as the main trigger for me getting Spotify was to hear this album the moment it was available. As long-term readers may have guessed from the lack of a review of the album, I'm lukewarm about Director's Cut as a whole. Some of the songs work, some don't. "Song of Solomon" is one of the songs that do deliver on the album's promise: Kate has succesfully shaken the cobwebs off the original production and added gorgeous, sexy new vocals and understated live percussion. If all of the album was this good, I'd be all over it.
3. Unicorn Ensemble: Nevestinko Oro off The Glory of Early Music, 1997.
This instrumental tune is the traditional dance that Kate Bush based "The Sensual World"/"Flower of the Mountain" on, and it's quite gorgeous in its own right. The Glory of Early Music is a Naxos compilation of music from before the era of the Classical composers, and that colours this interpretation. The version in the Youtube vid is the same one, even if credited differently.
4. The Damned: Grimly Fiendish off Phantasmagoria, 1985.
(This is an actual video, so I'm showing it larger)
I saw this on Shakesville and loved it from the opening bars on. I did find myself checking the video to see where Captain Sensible was, before concluding that evidently he wasn't on it. That shows how little I knew about the Damned: I had some inkling that they'd had a bunch of line-up changes, splits and reunions, some of which did and some which did not include the Captain. I also knew that they were one of the legends of punk rock, that they'd changed styles a lot, and that they'd made quite a few albums that didn't live up to the group's reputation. But I was fuzzy on the details, and hadn't actually heard much of their music. After hearing this, I'm trying very hard to catch up.
To some people, this early goth hit off 1985's Phantasmagoria will be among the records that don't live up to the group's reputation, but I can't get enough of it. Musically, it sounds like a cross between Adam Ant and Syd Barrett-era Pink Floyd, with harpsichords for extra colour. The delivery is confident, like a group on top of its game, and the singer's voice just fits. Phantasmagoria as a whole doesn't convince me yet, but this single is one I can listen to over and over again, and have.
5. Martyn Joseph: Giant Panda's Giant Thoughts off The Wildlife Album, 2005
I found the The Wildlife Album compilation while looking for Roy Harper songs on Spotify. The Wildlife Album is an acoustic, singer-songwriter oriented charity compilation including some big names such as Harper, Bert Jansch and Jan Akkerman, some second-tier names like Gordon Giltrap and Steve Ashley, and some artists that I hadn't heard of before at all. Martyn Joseph is in the latter category for me, and stood out because of his bluesy, tasty guitar playing. Nothing special, just very well done. Oh, and the lyrics made me laugh with their panda's-eye-view. I could not find this one on YouTube, sorry.
6. Movits!: Äppelknyckarjazz off Äppelknyckarjazz, 2008
My old friend DFG sent me this and I loved it at once. Sweden's Movits! Seem to be the missing link between Caro Emerald and Kaizers Orchestra - more polished than the latter, more edgy than the former.
7. Janelle Monáe: Tightrope featuring Big Boi, off The ArchAndroid, 2010
Video here, embedding disabled
Amanda Marcotte at Pandagon repeatedly praised Janelle Monáe's concept album The ArchAndroid as the best album of 2010. I don't know if it's quite that good; it's not exactly genre-defying and the album drags a bit in the second half. But knowing me, the time to ask me what the best album of 2010 was will be around 2015.
The ArchAndroid is good enough, though, to break my resistance to contemporary R&B, and this track in particular, with its funky beat, smooth bass line and Monáe's vocals, is one of the things that have been bringing joy to my life lately.
8. Corvus Corax: Satyricon, off Seikilos, 2002
Another band that I've known about for years now, but never got around to digging into. Aggie's seen these guys live in Germany and reports that they're very good and entertaining live. I now have a Spotify playlist for this genre of music, containing about 200 tracks. This instrumental is one of their most popular and it did jump out at me at first listening. I expect there'll be more of this type of music in Saturday Spotify posts if I do more of them.
9. Happy Rhodes: Ra is a Busy God, off Many Worlds Are Born Tonight, 1998
(Video is not the studio recording, but a live recording from one of Happy Rhodes' house concerts. These have probably reached more people than the concerts originally did).
I purchased about 60 Happy Rhodes tracks in one swell foop from both iTunes and Spotify, after doing price comparisons for each album to get the cheapest combination. This did result in me getting Happy Rhodes overload, and I still have a hard time identifying which of these 60 tracks are my favorites. This track from Many Worlds Are Born Tonight, her only album that charted, is a contender. But it doesn't really matter anyway, because what I love about Happy Rhodes is her voice. I don't really care what she sings, as long as I can listen to her singing.
10. Siousxie and the Banshees: Cities in Dust, off Tinderbox, 1986.
For years I had this mentally misfiled as being by Sinéad O'Connor. Upon hearing it again, it doesn't sound as big as I remembered it, but I also find it a lot more enjoyable now that I've stopped fetishising guitar-based rock like I used to. The mid-eighties generally were a much better musical period than I remembered them being.
11. Amy Winehouse: Rehab off Back to Black, 2006.
You know this. You've probably heard it enough to get sick of it. I for one am not sick of it yet. After Amy Winehouse was found dead in her hotel room, one of my Facebook friends referred to it as an "unintentionally ironic anthem to denial and an unexamined life" (among other unkind words), which did not make sense to me until I realised that what he actually meant, whether he realised it or not, was that "Rehab" was a completely flawless creation: a work of art so perfect that all the self-observation, self-reflection, and self-interrogation that went into making it have become invisible. What a compliment to pay to an artist on the occasion of her death! The song also has a good beat to it.
(This was written over the course of an afternoon inbetween doing about 500 other things, because there are two people in the house who are sick and neither of them is me. Perhaps I'm better off posting vids to Facebook/Waffle in drips and drabs like that Facebook friend does)