Archive for the ‘Fairportiana’ Category

Swarbrick roundup

September 30th, 2004 by Reinder

Speaking of Dave Swarbrick, I have got meself some more of his solo records in the past few months! After writing about Swarbrick Plays Swarbrick, I realised that I didn't know nearly as much about his career as I did about other Fairporters like Sandy Denny or Richard Thompson, so I set out to remedy that. I'll keep it brief:

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Angel Delight/Babbacombe Lee/Rosie

September 30th, 2004 by Reinder

The remastered versions of the first 5 Fairport Convention albums plus Heyday and the live record House Full appeared before I started blogging, and I'm not gonna try to catch up with them right now. I'll skip straight to the latest batch of Fairport records to be reissued, albums 6, 7 and 8, which I bought a few weeks ago. These records show Fairport in its slow but spirited decline.

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Henry the Human Fly

August 30th, 2004 by Reinder

Fledg'ling records have reissued Henry the Human Fly, which is great news. Richard Thompson's debut solo album from 1972 had been kinda-sorta available since 1991, but I for one had never seen it in the shops before. I had a copy burned for me from vinyl by an acquaintance, but it's just not the same. The remastered edition is a huge improvement on that copy, with Thompson's acoustic guitar and the other instruments coming through with great detail and presence. It's one of the best Thompson has made in a long and illustrious career. In every decade since the 1960s, Thompson has come out with at least one album that ranks among the best made that decade, and occasionally with more. Henry the Human Fly is a bit difficult to get into but once you get past the sound of Thompson's voice on this first attempt, you will hear great songwriting with the deceptively simple tunes and gut-wrenching lyrics that have been his trademark ever since. The guitar playing is also beautiful, effective and mature. Mojo listed the record as one of the 20 greatest guitar albums ever, but don't expect a record driven by guitar pyrotechnics. Thompson's guitar playing, even then, served the songs, and not the other way around.

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Swarbrick plays Swarbrick

July 16th, 2004 by Reinder

I was surprised to find the other day that folk violinist Dave Swarbrick, who has been very ill with emphysema, had somehow managed to record a new album. The fact that despite being practically bedridden, he has been able to play at all is miraculous enough, but what makes it even better is that English Fiddler: Swarbrick Plays Swarbrick is such a strong album. Being a collection of classic tunes written throughout the man's long career, it's not groundbreaking by Swarb's standards, but it has fine playing from everyone involved and the arrangements are as daring as ever. Musicians on the record include Swarb's old friend and partner Martin Carthy, old Fairport Convention stalwarts Simon Nicol and Dave Pegg, more recent Fairport Convention stalwarts Martin Alcock, Chris Leslie and Gerry Conway, Whippersnapper guitarist Kevin Dempsey and Swarb's old mentor Beryl Mariott. They revisit the tunes they were originally involved in, sounding occasionally under-rehearsed but performing with skill and feeling. Sadly, Swarb doesn't sing on the album because his illness has cost him his singing voice, but the violin work is still a joy to listen to. There's even a return to the electric violin sound from his Fairport days. The other musicians get plenty of space to make themselves heard as well. The best example of this is in the final tune, "Miss Stevenson/Turnabout", where they get to jam for almost 2 minutes in the middle of the song before Swarb cuts in with the electric violin.

English Fiddler is out on the Naxos label, so you may have difficulty finding a store that carries it. Naxos is mostly known for commissioning inexpensive recordings of classical music and reissuing jazz and pop from the period before World War II, but they also have a great selection of folk music from across the world (the bluegrass album Little Grasscals has become a favorite in the studio), and it's all red-book compliant and cheap!

(Note: Oddly, Amazon lists this item both under Popular Music and under Books. This may have something to do with Naxos' distribution arrangements. When listed under books, it's a special-order item, but the music listing says it should ship within 24 hours.)